Abstract America / (Record no. 36943)
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000 -LEADER | |
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fixed length control field | 03318nam a22003252a 4500 |
001 - CONTROL NUMBER | |
control field | 336966 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20170630133632.0 |
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION | |
fixed length control field | ta |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 060206e200810uuxxkaf g |||||||0|0 eng|d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9780224079402 (hbk.) : |
Terms of availability | £35.00 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 0224079409 (hbk.) : |
Terms of availability | £35.00 |
035 ## - SYSTEM CONTROL NUMBER | |
System control number | (UK-WkNB)9780224079402 |
040 ## - CATALOGING SOURCE | |
Original cataloging agency | UK-WkNB |
Language of cataloging | eng |
Transcribing agency | UK-WkNB |
072 #7 - SUBJECT CATEGORY CODE | |
Subject category code | AFC |
Source | bicssc |
072 #7 - SUBJECT CATEGORY CODE | |
Subject category code | ART |
Source | eflch |
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER | |
Edition number | 22 |
110 2# - MAIN ENTRY--CORPORATE NAME | |
Corporate name or jurisdiction name as entry element | The Saatchi Gallery. |
245 10 - TITLE STATEMENT | |
Title | Abstract America / |
Statement of responsibility, etc. | The Saatchi Gallery. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Place of publication, distribution, etc. | London : |
Name of publisher, distributor, etc. | Jonathan Cape Ltd, |
Date of publication, distribution, etc. | 2008. |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 416 p. : |
Other physical details | ill. ; |
Dimensions | 30 cm. |
500 ## - GENERAL NOTE | |
General note | Hardback. |
520 ## - SUMMARY, ETC. | |
Summary, etc. | The twentieth anniversary of the Saatchi Gallery was celebrated in 2005 with "The Triumph of Painting", a landmark exhibition. This book accompanying the exhibition, makes the disparate currents of the painting coherent. It is devoted to the new American abstract painters, few of whom appeared in the original "Triumph of Painting" book. |
Expansion of summary note | A radical new generation of American abstract painters has emerged at the start of the new century. Whereas their twentieth-century predecessors advanced the realm of abstraction with all the audacity and ambition of the postwar years, this new generation is caught at the very moment of transition from the analogue to the digital age. America has shifted beyond anyone's wildest preconceptions from immediately before 9/11 to the present. Events are mediated in new ways - television offers a parallel reality, the news is a branch of entertainment and the Internet provides an infinite alternative. The weather is unpredictable. In these shifting times artists reach for different materials and uncover surprising sources. The artists' alter ego might well be the DJ. The brushstroke has been replaced by the 'riff'. This is the age of 'remix'. 'Old School' palettes have been discarded for 'Teletubby purple' or 'gummy pink'. Raw material is downloaded. Photoshop is the tool. These knowing abstract practitioners have irony at their disposal and can switch to tie-dye aesthetics or psychedelia as fast as they can quote Malevich or Brice Marden. The daring of this next wave is thrilling. Painted loops, reminiscent of Pollock in full action, are revealed to be the skid marks of motorbikes across hundreds of boards set out on the floor of a massive industrial space, so bringing new meaning to the idea of abstract expressionism. Even though traditions are 'deconstructed' and paintings can echo grunge, there is room for historical references to war, brutality and the dripping of blood, which lie at the climax of the book's narrative. As Max Henry writes in his introduction, 'The American Dream of the twentieth century does not exist any more. It is in itself an abstraction. The modernist grid has been given a working-over.' Abstract America is a further title in the series Jonathan Cape is publishing in conjunction with the exhibition programme of the new Saatchi Gallery in London. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Painting |
Geographic subdivision | Europe. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Painting |
Geographic subdivision | United States. |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Painting & paintings. |
Source of heading or term | bicssc |
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Art and Design. |
Source of heading or term | eflch |
700 1# - ADDED ENTRY--PERSONAL NAME | |
Personal name | Henry, Max. |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Suppress in OPAC | Do not suppress |
Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Home library | Current library | Shelving location | Date acquired | Cost, normal purchase price | Total Checkouts | Total Renewals | Full call number | Barcode | Date last seen | Date last checked out | Cost, replacement price | Price effective from | Koha item type |
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Other/Generic Classification Scheme | Hockney Library | Hockney Library | Main Floor | 05/01/2009 | 35.00 | 1 | 1 | 709.0400973/SAA | 7411193336 | 26/04/2022 | 11/04/2022 | 35.00 | 30/06/2017 | 2 week loan |