Abstract America / (Record no. 36943)

MARC details
000 -LEADER
fixed length control field 03318nam a22003252a 4500
001 - CONTROL NUMBER
control field 336966
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20170630133632.0
007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION
fixed length control field ta
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 060206e200810uuxxkaf g |||||||0|0 eng|d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780224079402 (hbk.) :
Terms of availability £35.00
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 0224079409 (hbk.) :
Terms of availability £35.00
035 ## - SYSTEM CONTROL NUMBER
System control number (UK-WkNB)9780224079402
040 ## - CATALOGING SOURCE
Original cataloging agency UK-WkNB
Language of cataloging eng
Transcribing agency UK-WkNB
072 #7 - SUBJECT CATEGORY CODE
Subject category code AFC
Source bicssc
072 #7 - SUBJECT CATEGORY CODE
Subject category code ART
Source eflch
082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER
Edition number 22
110 2# - MAIN ENTRY--CORPORATE NAME
Corporate name or jurisdiction name as entry element The Saatchi Gallery.
245 10 - TITLE STATEMENT
Title Abstract America /
Statement of responsibility, etc. The Saatchi Gallery.
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. London :
Name of publisher, distributor, etc. Jonathan Cape Ltd,
Date of publication, distribution, etc. 2008.
300 ## - PHYSICAL DESCRIPTION
Extent 416 p. :
Other physical details ill. ;
Dimensions 30 cm.
500 ## - GENERAL NOTE
General note Hardback.
520 ## - SUMMARY, ETC.
Summary, etc. The twentieth anniversary of the Saatchi Gallery was celebrated in 2005 with "The Triumph of Painting", a landmark exhibition. This book accompanying the exhibition, makes the disparate currents of the painting coherent. It is devoted to the new American abstract painters, few of whom appeared in the original "Triumph of Painting" book.
Expansion of summary note A radical new generation of American abstract painters has emerged at the start of the new century. Whereas their twentieth-century predecessors advanced the realm of abstraction with all the audacity and ambition of the postwar years, this new generation is caught at the very moment of transition from the analogue to the digital age. America has shifted beyond anyone's wildest preconceptions from immediately before 9/11 to the present. Events are mediated in new ways - television offers a parallel reality, the news is a branch of entertainment and the Internet provides an infinite alternative. The weather is unpredictable. In these shifting times artists reach for different materials and uncover surprising sources. The artists' alter ego might well be the DJ. The brushstroke has been replaced by the 'riff'. This is the age of 'remix'. 'Old School' palettes have been discarded for 'Teletubby purple' or 'gummy pink'. Raw material is downloaded. Photoshop is the tool. These knowing abstract practitioners have irony at their disposal and can switch to tie-dye aesthetics or psychedelia as fast as they can quote Malevich or Brice Marden. The daring of this next wave is thrilling. Painted loops, reminiscent of Pollock in full action, are revealed to be the skid marks of motorbikes across hundreds of boards set out on the floor of a massive industrial space, so bringing new meaning to the idea of abstract expressionism. Even though traditions are 'deconstructed' and paintings can echo grunge, there is room for historical references to war, brutality and the dripping of blood, which lie at the climax of the book's narrative. As Max Henry writes in his introduction, 'The American Dream of the twentieth century does not exist any more. It is in itself an abstraction. The modernist grid has been given a working-over.' Abstract America is a further title in the series Jonathan Cape is publishing in conjunction with the exhibition programme of the new Saatchi Gallery in London.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Painting
Geographic subdivision Europe.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Painting
Geographic subdivision United States.
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Painting & paintings.
Source of heading or term bicssc
650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Art and Design.
Source of heading or term eflch
700 1# - ADDED ENTRY--PERSONAL NAME
Personal name Henry, Max.
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Suppress in OPAC Do not suppress
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Home library Current library Shelving location Date acquired Cost, normal purchase price Total Checkouts Total Renewals Full call number Barcode Date last seen Date last checked out Cost, replacement price Price effective from Koha item type
    Other/Generic Classification Scheme     Hockney Library Hockney Library Main Floor 05/01/2009 35.00 1 1 709.0400973/SAA 7411193336 26/04/2022 11/04/2022 35.00 30/06/2017 2 week loan