MARC details
| 000 -LEADER |
|---|
| fixed length control field |
01708nam a2200325 a 4500 |
| 001 - CONTROL NUMBER |
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| control field |
366171 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20170630134421.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
120613s2012 nyuac 001 0 eng|d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780300185010 (hbk.) : |
| Terms of availability |
£40.00 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
0300185014 |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(StDuBDS)9780300185010 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
StDuBDS |
| Transcribing agency |
StDuBDS |
| Modifying agency |
UK-BfC |
| 072 #7 - SUBJECT CATEGORY CODE |
|---|
| Subject category code |
PHO |
| Source |
eflch |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Edition number |
23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Fineman, Mia. |
| 245 10 - TITLE STATEMENT |
|---|
| Title |
Faking it : |
| Remainder of title |
manipulated photography before Photoshop / |
| Statement of responsibility, etc. |
Mia Fineman. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
New York : |
| Name of publisher, distributor, etc. |
Metropolitan Museum of Art, |
| Date of publication, distribution, etc. |
c2012. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xvi, 280 p. : |
| Other physical details |
ill. (some col.), ports. ; |
| Dimensions |
28 cm. |
| 500 ## - GENERAL NOTE |
|---|
| General note |
Published in conjunction with the exhibition of the same name held at the Metropolitan Museum of Art, New York, 11th Oct. 2012-27th Jan. 2013; National Gallery of Art, Washington D.C., 17th Feb.-5th May 2013; Museum of Fine Arts, Houston, 2nd June-25th Aug. 2013. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references and index. |
| 520 8# - SUMMARY, ETC. |
|---|
| Summary, etc. |
Fineman demonstrates that today's digitally manipulated images originate from the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. She shows photography to be an inspired blend of fabricated truths and artful falsehoods. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Photography |
| General subdivision |
Retouching |
| -- |
History. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Photography |
| General subdivision |
Special effects |
| -- |
History. |
| 650 #7 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Photography. |
| Source of heading or term |
eflch |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
Metropolitan Museum of Art (New York, N.Y.) |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
National Gallery of Art (U.S.) |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
|---|
| Corporate name or jurisdiction name as entry element |
Museum of Fine Arts, Houston. |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Suppress in OPAC |
Do not suppress |
