The face : (Record no. 61181)

MARC details
000 -LEADER
fixed length control field	01825nam a22003378i 4500
001 - CONTROL NUMBER
control field	BDZ0034325828
003 - CONTROL NUMBER IDENTIFIER
control field	StDuBDS
005 - DATE AND TIME OF LATEST TRANSACTION
control field	20190211163642.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field	180516s2018 enka 000\|0\|eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
ISBN	9780500518625 (hbk.) :
Terms of availability	16.95
040 ## - CATALOGING SOURCE
Original cataloging agency	StDuBDS
050 #4 - Library of Congress Classification
Library of Congress Class mark	N7573.3
072 #7 - SUBJECT CATEGORY CODE
Subject category code	ART
Source	ukslc
100 1# - MAIN ENTRY--PERSONAL NAME
Personal author	Mancoff, Debra N.,
Dates associated with a name	1950-
Relator term	author.
245 14 - TITLE STATEMENT
Title	The face :
Subtitle	our human story /
Statement of responsibility, etc	Debra N. Mancoff.
260 ## - PUBLICATION INFORMATION
Place of publication	London :
Publisher	Thames and Hudson,
Date	2018.
264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Place of production, publication, distribution, manufacture	London :
Name of producer, publisher, distributor, manufacturer	Thames and Hudson,
Date of production, publication, distribution, manufacture, or copyright notice	2018.
300 ## - PHYSICAL DESCRIPTION
Physical description	304 pages :
Other physical details	illustrations (colour) ;
Dimensions	19 cm
336 ## - CONTENT TYPE
Content type term	text
Source	rdacontent
336 ## - CONTENT TYPE
Content type term	still image
Source	rdacontent
337 ## - MEDIA TYPE
Media type term	unmediated
Source	rdamedia
338 ## - CARRIER TYPE
Carrier type term	volume
Source	rdacarrier
520 8# - Summary
Summary	The face is not only central to identity, but is also the primary vehicle for human expression, emotion and character. It also signifies intellect and power, and has often been regarded as a window into the soul. Above all, it is the focus of our attention whenever we encounter another individual. But how have different cultures depicted faces, whether a likeness or idealised, whether masked or revealed, whether newborn, in the prime of life, dying or even deceased? Why has the depiction of the human face been so central to artistic expression in all world cultures, and why has it sometimes even been defaced or destroyed by iconoclasts and others? Debra N. Mancoff explores the depiction of the human face through the full range of objects and works of art in the collection of the British Museum, and discovers how the face subtly conveys the full spectrum of human emotion.
650 #0 - SUBJECT HEADINGS
Subject term	Face in art.
650 #0 - SUBJECT HEADINGS
Subject term	Face (Philosophy)
650 #0 - SUBJECT HEADINGS
Subject term	Facial expression.
650 #7 - SUBJECT HEADINGS
Subject term	Art and Design.
263 ## - PROJECTED PUBLICATION DATE
Projected publication date	201809

Holdings
Withdrawn status	Lost status	Damaged status	Not for loan	Home library	Current library	Shelving location	Date acquired	Source of acquisition	Cost, normal purchase price	Total Checkouts	Full call number	Barcode	Date last seen	Cost, replacement price	Price effective from	Koha item type
				Hockney Library	Hockney Library	Main Floor	30/01/2019	2	16.95		704.942/MAN	7412373451	12/02/2019	16.95	30/01/2019	2 week loan

The face : (Record no. 61181)

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