Pastures green and dark satanic mills : the British passion for landscape / Tim Barringer, Oliver Fairclough.

By: Contributor(s): Publisher: New York : American Federation of Arts in association with D Giles Limited, 2015Description: pages cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781907804342 (hardback)
  • 9781885444431 (softcover)
  • 190780434X
  • 1885444435
Contained works:
  • Fairclough, Oliver, Hen Gymru fynyddig, paradwys y bardd [author.]
Subject(s): DDC classification:
  • 23
LOC classification:
  • N8214.5.G7 P37 2014
Other classification:
  • ART050020 | ART006000 | ART015120 | ART015030
Contents:
Pastures Green and Dark Satanic Mills / Tim Barringer -- 'Hen Gymru fynyddig, paradwys y bardd' : Wales and the Evolution of Landscape Art in Britain / Oliver Fairclough.
Summary: "This new book offers a single, encompassing view of the development of landscape painting, photography, and land art in Britain from the eighteenth through to the late twentieth century. It reveals the strong continuity between British landscape art of today and that of over 250 years ago, with works by J.M.W. Turner, John Constable, Thomas Gainsborough, John Piper, David Nash, and Richard Long, amongst many others.Tim Barringer is Paul Mellon Professor of the History of Art, Yale University.Oliver Fairclough is Keeper of Art, National Museum of Wales"-- Provided by publisher.
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Item type Home library Class number Status Date due Barcode
2 week loan Hockney Library Main Floor 758.1941/PAS (Browse shelf(Opens below)) Available 7412268135

This catalogue is published in conjunction with Pastures Green & Dark Satanic Mills: The British Passion for Landscape, an exhibition organized by the American Federation of Arts and National Museum Wales.

Includes bibliographical references and index.

Pastures Green and Dark Satanic Mills / Tim Barringer -- 'Hen Gymru fynyddig, paradwys y bardd' : Wales and the Evolution of Landscape Art in Britain / Oliver Fairclough.

"This new book offers a single, encompassing view of the development of landscape painting, photography, and land art in Britain from the eighteenth through to the late twentieth century. It reveals the strong continuity between British landscape art of today and that of over 250 years ago, with works by J.M.W. Turner, John Constable, Thomas Gainsborough, John Piper, David Nash, and Richard Long, amongst many others.Tim Barringer is Paul Mellon Professor of the History of Art, Yale University.Oliver Fairclough is Keeper of Art, National Museum of Wales"-- Provided by publisher.

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