TY  - BOOK
AU  - Frierson,Michael
ED  - Browns Books
TI  - Theories of film editing: how editing creates meaning 
SN  - 9781315475004 (PDF ebook) :
AV  - TR899 .F75 2018
PY  - 2018///
CY  - New York
PB  - Focal Press
KW  - Motion pictures
KW  - Editing
KW  - Photography
KW  - ukslc
KW  - Photography & photographs
KW  - thema
KW  - The arts: general issues
KW  - Films, cinema
KW  - Electronic, holographic & video art
N1  - Includes bibliographical references and index; 1. Herbert Zettl, Vectors and Approaches to Building Screen Space and Vectors 2. Nol Burch, PMR versus IMR Continuity Editing in a 5 x 3 Matrix 3. Hollywood Theorists: Edward Dmytryk and Walter Murch 4. David Bordwell, the Narrative Functions of Continuity Editing and Intensified Continuity 5. Eisenstein and Montage 6. Realism and Andr Bazin 7. Dream and Ritual: Andrei Tarkovsky and Maya Deren 8. Rhythmic and Graphic Editing
N2  - Film and Video Editing Theory offers an accessible, introductory guide to the practices used to create meaning through editing. In this book, Michael Frierson synthesizes the theories of the most prominent film editors and scholars, from Herbert Zettl, Sergei Eisenstein, and Nol Burch to the work of landmark Hollywood editors like Walter Murch and Edward Dmytryk. In so doing, he maps out a set of craft principles for readers, whether one is debating if a flashback reveals too much, if a certain cut clarifies or obscures the space of a scene, or if a shot needs to be trimmed. The book is grounded in the unity of theory and practice, looking beyond technical proficiency in a specific software to explain to readers how and why certain cuts work or don't work
UR  - https://www.vlebooks.com/product/openreader?id=BradfordC&accId=7057554&isbn=9781315475004
ER  -