Kehinde Wiley at the National Gallery : the prelude / Christine Riding with contributions by Sarah Thomas, ZoƩ Whitley and Kehinde Wiley.

Contributor(s): Publisher: London : National Gallery Company, 2021Description: 112 pages : illustrations (colour) ; 29 cmContent type:
  • text
  • still image
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781857096774 (hbk.) :
Contained works:
  • Wiley, Kehinde, 1977- Works
Subject(s): LOC classification:
  • ND237.W5
Summary: American artist Kehinde Wiley (b. 1977) is best known for his spectacular portraits of African Americans with knowing references to the grand European tradition of painting. He was commissioned in 2017 to paint Barack Obama, becoming the first Black artist to paint an official portrait of a president of the United States. His work makes reference to old master paintings by positioning contemporary Black sitters in the pose of the original historical figures, raising issues of power and identity, and the absence or relegation of Black and minority-ethnic figures within European art. For his first collaboration with a major UK gallery, Wiley will depart from portraiture to explore the European landscape tradition through the medium of film and painting, casting Black Londoners from the streets of Soho.
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Holdings
Item type Home library Class number Status Date due Barcode
2 week loan Hockney Library Main Floor 757.092/WIL (Browse shelf(Opens below)) Available 7412322849

Published to accompany the exhibition of the same name held at the National Gallery, London, 10th December 2021-18th April 2022.

Includes bibliographical references and index.

American artist Kehinde Wiley (b. 1977) is best known for his spectacular portraits of African Americans with knowing references to the grand European tradition of painting. He was commissioned in 2017 to paint Barack Obama, becoming the first Black artist to paint an official portrait of a president of the United States. His work makes reference to old master paintings by positioning contemporary Black sitters in the pose of the original historical figures, raising issues of power and identity, and the absence or relegation of Black and minority-ethnic figures within European art. For his first collaboration with a major UK gallery, Wiley will depart from portraiture to explore the European landscape tradition through the medium of film and painting, casting Black Londoners from the streets of Soho.

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