| 000 | 01222nam a22003018a 4500 | ||
|---|---|---|---|
| 001 | 354783 | ||
| 005 | 20170630134035.0 | ||
| 008 | 100702s2010 enka 000 0 eng|d | ||
| 020 |
_a9780500411001 (pbk.) : _c£8.95 |
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| 020 |
_a050041100X (pbk.) : _c£8.95 |
||
| 035 | _a()050041100X | ||
| 040 |
_aStDuBDS _cStDuBDS |
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| 072 | 7 |
_aPHO _2eflch |
|
| 082 | 0 | 4 | _222 |
| 100 | 1 | _aO'Neal, Hank. | |
| 245 | 1 | 0 |
_aBerenice Abbott / _cby Hank O'Neal. |
| 260 |
_aLondon : _bThames & Hudson, _c2010. |
||
| 300 |
_a144 p. : _bill. |
||
| 490 | 1 | _aPhotofile | |
| 504 | _aIncludes bibliographical references. | ||
| 520 | 8 | _aAmerican photographer Berenice Abbott first took up the art while working as an assistant to Man Ray, but soon left to set up her own studio, where she photographed the leading lights of Paris's literary and artistic circles, including James Joyce and Jean Cocteau. This book collects some of her work. | |
| 600 | 1 | 0 |
_aAbbott, Berenice, _d1898-1991 _xCriticism and interpretation. |
| 650 | 0 |
_aPhotographers _zUnited States. |
|
| 650 | 7 |
_aPhotography. _2eflch |
|
| 830 | 0 | _aPhotofile. | |
| 942 | _n0 | ||
| 999 |
_c41720 _d41720 |
||