000 | 01708nam a2200325 a 4500 | ||
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001 | 366171 | ||
005 | 20170630134421.0 | ||
008 | 120613s2012 nyuac 001 0 eng|d | ||
020 |
_a9780300185010 (hbk.) : _c£40.00 |
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020 | _a0300185014 | ||
035 | _a(StDuBDS)9780300185010 | ||
040 |
_aStDuBDS _cStDuBDS _dUK-BfC |
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072 | 7 |
_aPHO _2eflch |
|
082 | 0 | 4 | _223 |
100 | 1 | _aFineman, Mia. | |
245 | 1 | 0 |
_aFaking it : _bmanipulated photography before Photoshop / _cMia Fineman. |
260 |
_aNew York : _bMetropolitan Museum of Art, _cc2012. |
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300 |
_axvi, 280 p. : _bill. (some col.), ports. ; _c28 cm. |
||
500 | _aPublished in conjunction with the exhibition of the same name held at the Metropolitan Museum of Art, New York, 11th Oct. 2012-27th Jan. 2013; National Gallery of Art, Washington D.C., 17th Feb.-5th May 2013; Museum of Fine Arts, Houston, 2nd June-25th Aug. 2013. | ||
504 | _aIncludes bibliographical references and index. | ||
520 | 8 | _aFineman demonstrates that today's digitally manipulated images originate from the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. She shows photography to be an inspired blend of fabricated truths and artful falsehoods. | |
650 | 0 |
_aPhotography _xRetouching _xHistory. |
|
650 | 0 |
_aPhotography _xSpecial effects _xHistory. |
|
650 | 7 |
_aPhotography. _2eflch |
|
710 | 2 | _aMetropolitan Museum of Art (New York, N.Y.) | |
710 | 2 | _aNational Gallery of Art (U.S.) | |
710 | 2 | _aMuseum of Fine Arts, Houston. | |
942 | _n0 | ||
999 |
_c46221 _d46221 |