000			02161nam a22004098i 4500
001			376703
005			20170630134845.0
008			150204s2015 ctua 000|0|eng|d
020			_a9780300211665 (pbk.) : _c£12.99
020			_a030021166X
035			_a(StDuBDS)9780300211665
040			_aStDuBDS _beng _cStDuBDS _erda _dUK-BfC
072		7	_aART _2eflch
072		7	_aART _2ukslc
082	0	4	_223
100	1		_aClarke, Jay A. _q(Jay Anne), _eauthor.
245	0	0	_aMachine age modernism : _bprints from the Daniel Cowin collection / _cJay A. Clarke, Jonathan Black and Megan Kosinski.
264		1	_aNew Haven : _bYale University Press, _c2015.
300			_a112 pages : _billustrations (colour) ; _c24 cm
336			_atext _2rdacontent
336			_astill image _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
500			_aPublished to accompany the exhibition held at Clark Art Institute.
520	8		_aThis group of 40 prints from the exceptional Daniel Cowin Collection captures the tumultuous aesthetic and political climate of the years surrounding World Wars I and II. An essay by Jonathan Black addresses the impact of World War I on two notable British printmakers, Edward Wadsworth and C.R.W. Nevinson. A text by Jay A. Clarke delves into the linocut movement of the 1920s and '30s, investigating how the role of style and politics impacted this movement as well as the previously unexplored position of women printmakers and the interplay between gender, craft, and decoration.
600	1	0	_aCowin, Daniel _xArt collections _vExhibitions.
650		0	_aPrints, European _y20th century _vExhibitions.
650		0	_aModernism (Art) _zEurope _vExhibitions.
650		0	_aPrints _xPrivate collections _zUnited States _vExhibitions.
650		7	_aArt and Design. _2eflch
650		7	_aArt and Design. _2ukslc
700	1		_aBlack, Jonathan, _d1969- _eauthor.
700	1		_aKosinski, Megan, _eauthor.
710	2		_aSterling and Francine Clark Art Institute, _ehost institution.
942			_n0
999			_c50952 _d50952