| 000 | 01848nam a22003978i 4500 | ||
|---|---|---|---|
| 001 | 390974 | ||
| 005 | 20170630135228.0 | ||
| 008 | 160907s2017 enk f b 001|0|eng|d | ||
| 020 |
_a9781474225793 (pbk.) : _c£24.99 |
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| 020 | _a1474225799 | ||
| 035 | _a(StDuBDS)9781474225793 | ||
| 040 |
_aStDuBDS _beng _cStDuBDS _erda |
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| 072 | 7 |
_aPER _2eflch |
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| 072 | 7 |
_aPER _2ukslc |
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| 082 | 0 | 4 | _223 |
| 100 | 1 |
_aPietropaolo, Domenico, _d1949- _eauthor. |
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| 245 | 1 | 0 |
_aSemiotics and pragmatics of stage improvisation / _cDomenico Pietropaolo. |
| 264 | 1 |
_aLondon : _bBloomsbury Academic, _c2016. |
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| 300 | _a160 pages. | ||
| 336 |
_atext _2rdacontent |
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| 337 |
_aunmediated _2rdamedia |
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| 338 |
_avolume _2rdacarrier |
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| 490 | 1 | _aBloomsbury advances in semiotics | |
| 504 | _aIncludes bibliographical references and index. | ||
| 520 | 8 | _aAnalysis of improvisation as a compositional practice in the Commedia dell'Arte and related traditions from the Renaissance to the 21st century. Domenic Pietropaolo takes textual material from the stage traditions of Italy, France, Germany and England, and covers comedic drama, dance, pantomime and dramatic theory, and more. He shines a light onto 'the signs of improvised communication'. The book is comprehensive in its analysis of improvised dramatic art across theatrical genres, and is multimodal in looking at the spoken word, gestural and non-verbal signs. | |
| 521 | _aSpecialized. | ||
| 650 | 0 |
_aTheater _xSemiotics. |
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| 650 | 0 | _aImprovisation (Acting) | |
| 650 | 7 |
_aPerforming Arts. _2eflch |
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| 650 | 7 |
_aPerforming Arts. _2ukslc |
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| 830 | 0 | _aBloomsbury advances in semiotics. | |
| 942 | _n0 | ||
| 999 |
_c55603 _d55603 |
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