000 | 01642nam a22003378i 4500 | ||
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_c61180 _d61180 |
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001 | BDZ0036518435 | ||
003 | StDuBDS | ||
005 | 20200421064959.0 | ||
008 | 180528s2018 enka 000|0|eng|d | ||
020 |
_a9780500239636 (hbk.) : _c£29.95 |
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040 | _aStDuBDS | ||
050 | 4 | _aN5300 | |
072 | 7 |
_aART _2ukslc |
|
100 | 1 |
_aGrovier, Kelly, _eauthor. |
|
245 | 1 | 2 |
_aA new way of seeing : _bthe history of art in 57 works / _cKelly Grovier. |
260 |
_aLondon : _bThames and Hudson, _c2018. |
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264 |
_aLondon : _bThames and Hudson, _cⒸ2018. |
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300 |
_a256 pages : _billustrations (colour) ; _c27 cm |
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336 |
_atext _2rdacontent |
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336 |
_astill image _2rdacontent |
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337 |
_aunmediated _2rdamedia |
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338 |
_avolume _2rdacarrier |
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520 | 8 | _aFrom a carved mammoth tusk (c. 40,000 bce) to Duchamp's Fountain (1917), and Bosch's Garden of Earthly Delights (1505-10) to Louise Bourgeois's Maman (1999), a remarkable lexicon of astonishing imagery has imprinted itself onto cultural consciousness over the past 40,000 years - a resilient visual vocabulary whose meaning has proved elastic and endlessly renewable from era to era. It is to these works that Kelly Grovier devotes himself in this radical new art history. Stepping away from biography, style, and the chronology of 'isms' that preoccupies most art history to focus on the artworks themselves, Grovier tells a new story in which we learn from the artworks, not just about them. | |
650 | 0 |
_aArt _xHistory. |
|
650 | 0 | _aArt appreciation. | |
650 | 7 | _aArt and Design. | |
653 | _aArt History | ||
263 | _a201811 |