| 000 | 03485nam a2200589 i 4500 | ||
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| 001 | AH31410394 | ||
| 003 | StDuBDS | ||
| 005 | 20200807101335.0 | ||
| 007 | cr|||||||||||| | ||
| 008 | 160803s2017 nyua sb 001 0 eng d | ||
| 020 | _a9781501319037 (e-book) | ||
| 040 |
_aStDuBDS _beng _cStDuBDS _dUk _dStDuBDSZ _erda _dUkPrAHLS |
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| 050 | 0 |
_aML3785 _b.B76 2017 |
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| 072 | 7 |
_aAVA _2bicssc |
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_aAVGP _2bicssc |
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_aAVGJ _2bicssc |
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_aMUS _2ukslc |
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_aAVA _2thema |
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_aAVLP _2thema |
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_aAVLP _2thema |
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_aAVC _2thema |
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_a6RF _2thema |
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| 082 | 0 | 0 | _223 |
| 100 | 1 |
_aBrennan, Matt, _eauthor. |
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| 245 | 1 | 0 |
_aWhen genres collide _h[electronic resource] : _bDown Beat, Rolling Stone, and the struggle between jazz and rock / _cMatt Brennan. |
| 264 | 1 |
_aNew York : _bBloomsbury Academic, _c2017. |
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| 300 |
_ax, 240 pages : _billustrations |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bn _2rdamedia |
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| 338 |
_aonline resource _bnc _2rdacarrier |
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| 366 | _b20170223 | ||
| 490 | 1 | _aAlternate takes : critical responses to popular music | |
| 500 |
_aFormerly CIP. _5Uk |
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| 504 | _aIncludes bibliographical references and index. | ||
| 520 | 8 |
_a'When Genres Collide' is a provocative history that rethinks the relationship between jazz and rock through the lens of the two oldest surviving and most influential American popular music periodicals: Down Beat and Rolling Stone. _bWhen Genres Collide is a provocative history that rethinks the relationship between jazz and rock through the lens of the two oldest surviving and most influential American popular music periodicals: Down Beat and Rolling Stone. Writing in 1955, Duke Ellington argued that the new music called rock `n' roll "is the most raucous form of jazz, beyond a doubt." So why did jazz and rock subsequently become treated as separate genres? The rift between jazz and rock (and jazz and rock scholarship) is based on a set of received assumptions about their fundamental differences, but there are other ways popular music history could have been written. By offering a fresh examination of key historical moments when the trajectories and meanings of jazz and rock intersected, overlapped, or collided, it reveals how music critics constructed an ideological divide between jazz and rock that would be replicated in American musical discourse for decades to follow. Recipient of and Honorable Mention in the PROSE Award, Music & the Performing Arts 2018. |
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| 530 | _aAlso available in printed form ISBN 9781501319020 | ||
| 533 |
_aElectronic reproduction. _cAskews and Holts. _nMode of access: World Wide Web. |
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| 650 | 0 |
_aMusical criticism _zUnited States _xHistory _y20th century. |
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| 650 | 0 |
_aJazz _xHistory and criticism. |
|
| 650 | 0 |
_aRock music _xHistory and criticism. |
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| 650 | 7 |
_aMusic _2ukslc |
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| 650 | 7 |
_aTheory of music & musicology _2thema |
|
| 650 | 7 |
_aPopular music _2thema |
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| 650 | 7 |
_aPopular music _2thema |
|
| 650 | 7 |
_aMusic reviews & criticism _2thema |
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| 650 | 7 |
_aRock _2thema |
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| 655 | 7 |
_aElectronic books. _2lcsh |
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| 776 | 0 | 8 |
_iOnline version: _aBrennan, Matt. _tWhen genres collide _w(DLC) 2016037064 _dNew York : Bloomsbury Academic, 2017 _z9781501319037 |
| 830 | 0 | _aAlternate takes : critical responses to popular music | |
| 856 | 4 | 0 |
_uhttp://www.vlebooks.com/vleweb/product/openreader?id=BradfordC&isbn=9781501319037 _zClick here to access |
| 710 | _aAskews & Holts | ||
| 999 |
_c82078 _d82078 |
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