000			02193nam a2200349 a 4500
001			AH37558185
005			20200807101754.0
007			cr||||||||||||
008			031215s2003 enka sbb 001 0 eng
010			_a 2002067383
016	7		_a052177120x _2Uk
020			_a9780511306297 (e-book)
040			_aDLC _cDLC _dUk _dUkPrAHLS
050	0	0	_aMT146 _b.A54 2003
082	0	4	_221
245	0	0	_aAnalyzing popular music _h[electronic resource] / _cedited by Allan F. Moore.
260			_aCambridge ; _aNew York : _bCambridge University Press, _c2003.
300			_aix, 270 p. : _bill.
500			_aIt aims to encourage listeners to think more seriously about the 'social' consequences of the music they spend time with.
504			_aIncludes bibliographical references (p. 240-257), discography (p. 258-260) and index.
520			_aHow do we know music? We perform it, we compose it, we sing it in the shower, we cook, sleep and dance to it. Eventually we think and write about it. This book represents the culmination of such shared processes. Each of these essays, written by leading writers on popular music, is analytical in some sense, but none of them treats analysis as an end in itself. The books presents a wide range of genres (rock, dance, TV soundtracks, country, pop, soul, easy listening, Turkish Arabesk) and deals with issues as broad as methodology, modernism, postmodernism, Marxism and communication. It aims to encourage listeners to think more seriously about the 'social' consequences of the music they spend time with and is the first collection of such essays to incorporate contextualisation in this way.
530			_aAlso available in printed form.
533			_aElectronic reproduction. _cAskews and Holts. _nMode of access: World Wide Web.
650		0	_aPopular music _xAnalysis, appreciation.
650		0	_aPopular music _xHistory and criticism.
650		0	_aMusical analysis.
655		7	_aElectronic books. _2lcsh
700	1		_aMoore, Allan F.
776	0		_cHardback _z9780521771207
856	4	0	_uhttp://www.vlebooks.com/vleweb/product/openreader?id=BradfordC&isbn=9780511306297 _zClick here to access
710			_aAskews & Holts
999			_c82606 _d82606