000 | 01776nam a2200373 i 4500 | ||
---|---|---|---|
001 | BDZ0040225392 | ||
003 | StDuBDS | ||
005 | 20210512112117.0 | ||
008 | 191101r20202019xxka f b 000|0|eng|d | ||
020 |
_a9780141986289 (pbk.) : _c9.99 |
||
040 | _aStDuBDS | ||
050 | 4 | _aTT972 | |
072 | 7 |
_aBEA _2ukslc |
|
100 | 1 |
_aDabiri, Emma, _eauthor. |
|
245 | 1 | 0 |
_aDon't touch my hair / _cEmma Dabiri. |
263 | _a202003 | ||
264 | 1 |
_aUK : _bPenguin Books, _c2020. |
|
300 |
_a243 pages : _billustrations (black and white) ; _c20 cm |
||
336 |
_atext _2rdacontent |
||
336 |
_astill image _2rdacontent |
||
337 |
_aunmediated _2rdamedia |
||
338 |
_avolume _2rdacarrier |
||
500 | _aOriginally published: London: Allen Lane, 2019. | ||
504 | _aIncludes bibliographical references. | ||
520 | 8 | _aOver a series of wry, informed chapters, Emma Dabiri takes us from pre-colonial Africa, through the Harlem Renaissance, Black Power and on to today's Natural Hair Movement, the Cultural Appropriation Wars and beyond. We look at everything from hair capitalists like Madam C.J. Walker in the early 1900s to the rise of Shea Moisture today, from women's solidarity and friendship to 'black people time', forgotten African scholars and the dubious provenance of Kim Kardashian's braids. 'Don't Touch My Hair' proves that far from being only hair, black hairstyling culture can be understood as an allegory for black oppression and, ultimately, liberation. | |
650 | 0 |
_aHairdressing of Blacks _xSocial aspects. |
|
650 | 0 |
_aHairdressing of Blacks _xHistory. |
|
650 | 0 |
_aHairstyles _xSocial aspects. |
|
650 | 0 |
_aHairstyles _xHistory. |
|
650 | 0 |
_aWomen, Black _xSocial conditions. |
|
650 | 7 | _aBeauty and Fashion. | |
999 |
_c83789 _d83789 |