000 | 02098nam a2200349 i 4500 | ||
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001 | BDZ0049311539 | ||
003 | StDuBDS | ||
005 | 20241209141032.0 | ||
008 | 220119t20222022enka f b 001|0|eng|d | ||
020 |
_a9781912520749 (hbk.) : _c£30.00 |
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040 | _aStDuBDS | ||
050 | 0 | _aND1059.K3 | |
072 | 7 |
_aART _2ukslc |
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245 | 0 | 0 |
_aKyōsai : _bthe Israel Goldman Collection / _cSadamura Koto. |
264 | 1 |
_aLondon : _bRoyal Academy of Arts, _c[2022] |
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264 | 4 | _c©2022 | |
300 |
_a192 pages : _billustrations (black and white, and colour) ; _c31 cm |
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336 |
_atext _2rdacontent |
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336 |
_astill image _2rdacontent |
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337 |
_aunmediated _2rdamedia |
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338 |
_avolume _2rdacarrier |
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500 | _aPublished omn the occasion of the exhibition of the same name held at the Royal Academy of Arts, London, 19th March-19th June 2022. | ||
504 | _aIncludes bibliographical references and index. | ||
520 | 8 | _aThe Japanese artist Kawanabe Kyosai (1831-1889), a student of Utagawa Kuniyoshi, has been described as Japan's first political cartoonist; indeed, the sharp satirical edge to his paintings often placed him on the wrong side of the law. The politically turbulent times in which Kyosai lived are reflected in his riotous images, in which skeletons, demons and ghosts rub shoulders with classically rendered ukiyo-e courtesans. Among his most charming and inventive works are his brilliant depictions of animals - crows, frogs and elephants, among many others - which often stand in for political figures of the day. Kyosai's important place in the art of Japan is here explored in depth by Koto Sadamura, a leading authority on the artist, in this catalogue of the exceptionally rich holdings of the Israel Goldman Collection. | |
600 | 1 | 0 |
_aKawanabe, Kyōsai, _d1831-1889 _vExhibitions. |
600 | 1 | 0 |
_aGoldman, Israel _xArt collections _vExhibitions. |
650 | 7 | _aArt and Design. | |
700 | 1 | 2 |
_aKawanabe, Kyōsai, _d1831-1889. _tWorks. |
700 | 1 |
_aSadamura, Koto, _d1982- _eauthor. |
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710 | 2 |
_aRoyal Academy of Arts (Great Britain), _ehost institution. |
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999 |
_c90327 _d90327 |