Faking it : manipulated photography before Photoshop / Mia Fineman.
Publication details: New York : Metropolitan Museum of Art, c2012.Description: xvi, 280 p. : ill. (some col.), ports. ; 28 cmISBN:- 9780300185010 (hbk.) :
- 0300185014
- 23
| Item type | Home library | Class number | Status | Date due | Barcode | |
|---|---|---|---|---|---|---|
| 2 week loan | Hockney Library Main Floor | 778.8/FIN (Browse shelf(Opens below)) | Available | 741214021X |
Browsing Hockney Library shelves, Shelving location: Main Floor Close shelf browser (Hides shelf browser)
| 778.76/FRE The low light photography field guide : | 778.7/HUG Creative photoshop lighting techniques / | 778.8/ACT Acting the part : | 778.8/FIN Faking it : | 778.8/MON Montage and modern life, 1919-1942 / | 778.8/PHO Photographic special effects : | 778.928/PAS The Passionate camera : |
Published in conjunction with the exhibition of the same name held at the Metropolitan Museum of Art, New York, 11th Oct. 2012-27th Jan. 2013; National Gallery of Art, Washington D.C., 17th Feb.-5th May 2013; Museum of Fine Arts, Houston, 2nd June-25th Aug. 2013.
Includes bibliographical references and index.
Fineman demonstrates that today's digitally manipulated images originate from the earliest years of photography, encompassing methods as diverse as overpainting, multiple exposure, negative retouching, combination printing, and photomontage. She shows photography to be an inspired blend of fabricated truths and artful falsehoods.
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